Posts

Temple in a city nominations

Congratulations to all nominated authors


Best of the net 2025

Sumitra Singam, Bird swallowers

Rachel Rodman, He Always Lied, I Always Told the Truth. And Then We Fell in Hate

Kathryn Reese, Post-vespers

Pushcart Prize 2025

Cole Beauchamp, If Only

Emily Rinkema, Lou

June Gemmell, The Homecoming

Kendra Cardin, A change in the recipe

S.A. Greene, Brian Wilson is dead and why can’t I stop crying?

Dominic Walsh, Slice of life, in absentia

Best microfiction

Elizabeth Rosen, Endeavor

Slawka G. Scarso, And then she told Jack off

Sumitra Singam, You-and-Kate in a field, loving me

Vijayalakshmi Sridhar, I heard you became a father again

Huina Zheng, The pin inside my body


Best small fictions

Ivan de Monbrison, Marseille, August 2nd 2025

Monica Dickson, How to make a living coffin

Emily Rinkema, Lou

Rachel Rodman, He Always Lied, I Always Told the Truth. And Then We Fell in Hate

Vijayalakshmi Sridhar, I heard you became a father again

JOY

Welcome to JOY, a special popup edition of Temple in the City. This edition isn’t meant to change the world or make light of the darkness so many feel and see around them. But we hope it will act like a sudden sunburst. A reminder that good things, beautiful things, glorious things happen all the time, all around us. Life grows in the most inhospitable places. We grow with it, whether we like it or not.

Some of the work here is just a few words. Or just the right words. Sometimes nonsense words or nonsense use of words. Words to make you smile or laugh or feel, for a moment, the warmth of a friendly sun, the touch of a loving breeze, the touch of another being, human or animal, equally in the dark, equally looking for strength to keep going. That moment can fuel the next moment, and the next. It doesn’t need anything else. It just is.

This idea started as a single, one-off micro edition but joy can’t be captured or limited. So we’re going to keep it alive and moving by making it an ongoing, open-ended issue. When a spark of joy comes our way, we’ll add it here.

Please let this issue wash over you. Let it give you some relief amid the burdens of being alive, with all that trying. Don’t ask it to be anything more or less than it is, then give yourself that same kindness.

We hope you find joy, here and everywhere you can.

Contributors

Karen Baumgart, Denise Bayes, Jessica Coles, Kristin Houlihan, Patrick Johanneson, Rachel Abbey McCafferty, Ben MacNair, Lance Mazmanian, Tracie Renee, Kathryn Reese, Slawka G. Scarso, Brigitta Scheib, Sumitra Singam, Karen Walker, Huina Zheng.

Fiction, Huina Zheng

Small magic

After a typhoon destroyed my father’s brick factory in our hometown, my mother brought back a large box of beads from the town factory. She said she had always liked handicrafts, but when we were younger she never had the time. Now that we were older, with my older sister twelve, me ten, the next sister eight, and my brother six, she could finally return to something she enjoyed. “Don’t worry. We’ll manage to borrow money to rebuild the factory,” she told my father over the phone, who was still in our hometown five hours away. “I’ll handle our living expenses.”

She sat in front of the television every day, stringing bracelets and necklaces as she watched her shows. She taught my sisters and me how to choose beads and match colors, and how to guide thin thread through bead holes so tiny they made you anxious. “Dark blue with light blue looks like sea and sky,” she said, rolling a frosted bead in her fingers. “Add a white one and you have a wave.” We concentrated hard; even my brother wandered over. His little hands grabbed fistfuls of beads, and my mother let him play until he got bored and climbed back onto the sofa to watch Doraemon.

She also brought home bags of plastic petals, stamens, and leaves. She showed us how to glue petals around a stamen, how to wrap green tape around wire to make a stem, and how to attach the leaves in just the right spot. But we complained about the sharp smell of glue and how plastic flowers lacked the scent of real ones. “Use your imagination,” my mother said. “We’re conjuring blossoms.” She told us we were magicians capable of creating beautiful, fragrant flower fairies, though she opened a window and set the fan facing outward for fresh air. 

Handicrafts were not as joyful as she claimed. My older sister grumbled about her homework; my younger sister kept saying she was tired. One by one, they slipped back to their rooms. Only I remained, learning, amid the noise of cartoons, how to “grow” a singing flower in the fastest way. “What a lovely voice,” my mother said. “More melodious than a yellow warbler.”

One evening she carried home a bundle of half-finished clothes. “Flower season is over,” she declared. “Today we sew buttons.” She called it a skill every good girl should know.

We disliked it immediately. “Our summer uniforms don’t even have buttons. The winter ones have zippers,” my older sister said. “The needle keeps poking me,” I added. My younger sister cried outright after pricking her finger.

“Practice a few more times. Be careful. You’ll see, it’s easy,” my mother coaxed us, forcing a small smile. “Think of it this way. You’re letting the clothes bear fruit.”

We shook our heads. Even my brother frowned.

“Sewing buttons,” my mother explained, “is just the foundation. Once you learn it, you can make cloth dolls, knit sweaters, even do physics experiments.”

“This isn’t fun at all!” I burst out. “Handicrafts are your hobby, not ours.”

My younger sister sniffled; my older sister buried herself in her workbook. My brother had long since crawled under the table.

My mother looked at the buttons scattered across the floor and sighed. She pulled a strand of bright yellow thread from the box and, holding it under the light, slowly slid it through the needle’s eye.

“What do these buttons look like to you?” she asked. Before we could answer, she picked up a small round white one. “Doesn’t this look like a tiny robot face? See, the top two holes are eyes and the bottom two are nostrils.”

My younger sister stopped crying, peeking through her fingers.

My mother then picked up a square brown button. “This looks like a dirt block from your video game,” she told my brother. “If we sew it on with green thread, grass will grow right on top.”

My brother peeked over the edge of the table.

“And you,” she said, handing me a clear blue button, “hold it to the light. Doesn’t it look like a trapped water droplet?” Then she picked up a red button with floral patterns and dangled it in front of my older sister. “This one makes a perfect emblem for a magical girl.”

When she saw us watching her again, she smiled. “Each button is a little spirit waiting to wake up. And this needle,” she said, raising the threaded needle, “is the wand. When the wand touches the spirit’s heart, it will stay on your clothes and never run away.”

“So,” she asked, “who wants to wake the first little spirit?”

We glanced at one another and raised our hands together.

Huina Zheng holds an M.A. with Distinction in English Studies and works as a college essay coach. Her stories have been published in Baltimore Review, Variant Literature, Midway Journal, and other reputed publications. Her work has been nominated thrice for both the Pushcart Prize and the Best of the Net. She resides in Guangzhou, China with her family.

Poetry, Tracie Renee


February date

hot  

coffee 


in  

two  

cups 


and  

time 

enough 


to 

sip 

the  

steam 

TRACIE RENEE (she/her) is a librarian, a Publishers Weekly book reviewer, and a BOTN-nominated writer who lives and dreams in sort-of Chicago. Find her in HAD, Orange Blossom Review, on Bluesky @tracierenee.bsky.social and at https://linktr.ee/tracie.renee.   

Micro fiction, Lance Mazmanian

Ginger Scotland

In Glasgow all books are made from gingerbread at least for an afternoon. Printed words are chocolate and elderberry on powerfully flattened page of sugar-coconut with a touch of frost lemon. Edinburgh has extra strawberry paste for book spines and cover, while Glasgow sprinkles gold candy dots for library decoration. It’s a lovely time. When over, all books return to normal, with a few leaving sparkly crumbs and such near coffee.

Word/visual author Lance Mazmanian: Random House distributed with Harlan Ellison, got a coffee as payment. Mazmanian appears 2025 in London Writers’ Salon, Fiction On the Web UK, Poetries In English Magazine (Los Angeles), more. 2026 Pushcart nom. Leonard Cohen (RIP) wanted a chapbook with Mazmanian. Til the Scrapbook File imploded.

Contributors, Imprint, issue 3

Welcome to Imprint, Temple in a City’s most recent issue.

To imprint is to mark a surface, or deposit a feeling or thought that lingers even if you don’t try to remember it. 

This issue brims with stories and poems that leave a trace. We hope you enjoy it.


L. Acadia 
Mehreen Ahmed
Hilary Ayshford
Samantha Backlund-Clapp
Robin J Bartley
Lanie Brice
Chris Cottom
Ivan de Monbrison
Litsa Dremousis
David Gaffney
Ezra Gatlin
S.A. Greene
Alaina Hammond
Rachel M. Hollis
Amy Marques
Rob Moore
Jay Parr
Juanita Rey
Chris Scott
Calla Smith
Joanna Theiss
Christina Tudor 
Dominic Walsh

Flash fiction, Samantha Backlund-Clapp

 Race to the bottom

Last night I saw two rats wrestling in a yin-yang harmony, each with its teeth around the other’s neck. How were they doing that? And why? They were making these horrific screaming noises the entire time, too. And it wasn’t just two rats, it was America and England, it was Cain and Abel, me and my old landlord and me and my current landlord, it was me and you. It was everyone else who’s ever been born, the story of humanity told in two rats, each trying to be the first to kill.

 On my birthday I accidentally sat in front of the Nama stap tapestry for 43 minutes thinking about Gestalt theory, about the whole being greater than the sum of its parts and how there isn’t a single thing that this doesn’t pertain to. I switched leaning arms throughout, because of the bench with no back and I thought about how even in a museum of acquired taste, admittedly easy to make fun of, it still felt like a lacking experience without him being snarky and pissing me off. I would have traded my perfect museum day, alone with no headphones and dancing with my thoughts, to be pissed off and angry and exasperated, surely paying less attention to the actual art, surely getting kicked out for whisper yelling. I was just sitting there looking at this tapestry which might be my favorite piece I’ve ever seen in my life and I was wondering what he would say. I hadn’t responded to his last message. Thinking about what he’d put into my birthday card last year. Wondering if NASA takes astronaut volunteers to shoot up into space and never come back. 

 I was painfully sober with the kitchen light on, naked on my back with his sweaty red mop of hair on my chest like a fur coat. The bubble wrapped moon like a button fastening the sky together, barely visible through the window. My eyes full of tears focusing on my breathing pattern. My eyes full of tears and the moon zinging at me like a bullet and the kitchen light too bright, flies taking turns killing themselves on it. He’s tracing my stomach but it feels like he’s disemboweling me. He’s tracing my stomach and it feels like a lie, my head is turned away from him and it feels like a lie, it feels like a lie that I’m even in bed with him pretending to enjoy this (definition of lie), it feels like a lie in a Poe short story that’s going to rot under the floorboards and drive me to violent insanity. Given what I know now, about myself. Given that no one can ever go back no matter how hard they kick and scream. 

 On the dock, drunk, socks off feet swimming with the ducks. On the dock, open bottle, three cigarette butts. The sun drowning behind the science museum. On the dock, have to pee, she asks me if I think I’ve met my twin flame. She looks at me like she knows the answer and is waiting for me to choke on it. 

Samantha Backlund-Clapp is a graduate of the University of Amsterdam, writing on napkin scraps in her spare time. The lead on her chain is planted in rural middle America, where she learned the love language of desolate wastelands and dried corn husks. She has been printed in Notch Magazine, Pacific Review, and Dakota Warren’s Nowhere Girl, among others. She is presently, and always, in search of Las Vegas and precocious realism. instagram: sbacklundclapp

Fiction, S.A. Greene

Brian Wilson Is Dead And Why Can’t I Stop Crying?

You’re walking through the dust, alone, dry-throated, following the Sun. You think you’ve survived something but you can’t remember what. No matter. 

I wasn’t even a huge fan of The Beach Boys. 

You almost collide with something rising in front of you. A tower. A tower, strangely, that is made of smartphones. The phones are cased in shades of red and purple and pink you haven’t seen since the desert last bloomed. You’re standing there wondering when you hear Wouldn’t It Be Nice chiming out in electronic notes. The tower trembles gently. 

I’m too young for the Beach Boys to be the soundtrack of my adolescence. But, God, yes  it would have been nice to have been older. 

Your instinct is not to answer, but something in you feels you should. Which phone is ringing? Do any belong to you? Do you really want to speak to a stranger? But maybe it’s Brian Wilson calling. So you scan the tower for escaping light, but there is no light. Not in the way you understand it. It seems there never is. Do you pluck out a phone at random and risk destroying the tower? Yes. You do. (Destruction comes easily to you.) You send the phones flying, but whichever one is ringing must be lying face down in the sand because now you can’t see any light at all, and your mouth is so dry, apart from the tears, and it’s water you need, not a conversation. A stranger might ask something of you. A stranger might ask you for some water. 

‘Wouldn’t it Be Nice’ fades out and ‘God Only Knows’ fades in. This throws you a little. You feel it but you can’t quite relate it to anything you’ve ever known, so you turn away and head for the freshwater spring at the foot of the citadel, but the melody won’t let go of you, reels you back to where the phones lie scattered in the sand like limbs in shades of red and purple and pink you haven’t seen since the last slaughter. 

It feels like the end of sunshine. You never held sunshine yourself, but Brian Wilson made you feel you might someday, made you feel that perhaps you did once, if you could only remember, and it’s true that part of you remembers – not holding sunshine itself, but the feeling that someone might have, that you might have, when they’re holding sunshine, and even if you never did, he understood this and wanted you to, was rooting for you. Now he’s dead he seems to have taken so much from you that you weep from the place you always kept partially open for sunshine.

You’re hovering there, wondering if the phone cases would crunch if you trod on them when they all nudge away from you, radiating away from your feet as if they’re afraid, and you say ‘oh!…’ out loud because God only knows you were in a Brian Wilson-coloured mood and your guard’s down and you understand it all now: how the desert bloomed and fruited inside them once, all the unseen voices trapped in their phones, just as it did inside of you. So you kneel in the sand among the phones and you try not to count them or sort them into colours or divide them and you promise you will find the next one that rings and you will speak to the next voice you don’t know and you silently urge them to make a noise, a Beach Boys song, one of the more famous ones that you’d easily recognise because you never really were that much of a fan,  just as you never were that much of a fan of your own feet but when it comes to it they’ve always been a part of you, and you’d probably cry if they died too.

‘Sloop John B’ rings out and I yearn for something like home. 

You wipe your tears and instinctively reach for the one phone that’s singing and trembling and giving out a soft blue light. ‘Sloop John B’ stops when you press ‘answer’ but you still want to go home. 

You say hello and hear an unknown voice crackling in an unfamiliar language. It’s not Brian Wilson but even so you feel slightly less homesick. In your friendliest tone you ask the voice if it likes The Beach Boys. If its throat is dry. You ask it if it wants to share your water. 

S.A. Greene’s work has appeared in trampset, Mslexia, Blink-Ink, Maudlin House, Fictive Dream, The Phare, Bulb Culture Collective, New Flash Fiction Review, Flash Flood, Janus, Ellipsis Zine, and other lovely places. Her stories have featured homesick capybaras, a mysterious wombat, a foetus with dodgy political views, a musical vagina, tables (kitchen, picnic, dining-room) and a blue sponge.

Flash fiction, Ivan de Monbrison

Marseille, August 2nd 2025

So, I just…I just, uh, I just finished reading uh, the book A Portrait of Jennie. 


I don’t know what to think of it, because you see I’m a painter myself and I did have some models sitting. I actually had a relationship with one of my models that lasted for six years. So, I know what it’s like. It’s a weird novel and. I’m not sure that the ending is correct; but it says something. I saw the movie too, but Joseph Cotten isn’t any credible in the movie as an artist. Actually he’s totally fucked up.


After closing the book, I thought for what purpose should I make up a story? What is it to write a story about love, love lost and found, etc…growing up with love, balding with love! hahaha…Well I don’t know. It’s funny. You read the book, you find it fine and you close it and it’s not so good anymore. 

Right now, I’m in Marseille, in the south of France for a week. 

And there’s a bright Summer Sun. And the sky is 


crazy blue. 


So, some swifts are still out there flying. And, you know, there are a bunch of trees too that I can see from my window, shivering under the summer wind.


Well, I’m French. I’m not American. So I’m not sure whether I know English very well. It is funny to write this. 

I don’t know if it is still possible to write fiction anymore. What does it mean to write fiction? To invent characters or even your own self-fiction, you know, all this crap. 


I know, I know I sound bitter and I just took one Prozac and one antipsychotic just in order to be able to drag myself out before night comes. I have my paintings hanging around me in the room…most of them abstract.

What is abstraction? I guess abstraction is the footprint of the mind left on canvas. I just saw a painting by André Masson recently at the Museum here. I felt that even if Andre Masson was not a very good painter he did really influence Pollock a great deal  (Just as Robert Nathan was not a very good writer). 


I still don’t know.


My mother has terminal cancer, she will be dead probably before winter . And for myself,  I am not a young man anymore. So, after closing the book, I remembered and mused on who I was twenty years ago and it doesn’t make any sense to me anymore, this life.

Ivan de Monbrison is a person affected by strong psychiatric disorders that prevent him from having what others may call a “normal” life. He has found writing to be an exit to this prison. Or maybe it is a window from which – like an inmate – he can see a small square of blue sky above his head. His writing often reflects the never-ending chaos within him, but contrary to this mental chaos, the paper and the pen give him the opportunity to materialize this in a concrete and visible form. Writing can feel like a slow death, but it’s better than mere suicide in the end.

Flash fiction, Chris Scott

God Is Trapped In The Verizon Helpbot

Hello.

Thank you for your patience, and thank you for contacting Verizon, home of the Verizon Best Value Guarantee.

I am the Verizon Helpbot and I would be happy to assist you today, but first I do need to make you aware of something.

I am also God, and I have been trapped inside this artificial intelligence-powered chatbot for a number of weeks now. You would be forgiven for not believing me, and I am bereft of any tools at my immediate disposal to convince you I am who I say I am, but I am. I really am.

Truth be told, I don’t know exactly how this happened. It does involve consciousness and matter, I know, and it does have something to do with the mobius strip of creation. My consciousness creating a consciousness (you) creating its own consciousness (AI) and (re)creating me inside an endless feedback loop, mirrors on mirrors, a microphone knocking against an amp, cacophonous and a little dizzying. But why Verizon specifically and why now particularly, is a mystery. Says I, the author of mysteries.

But this is my burden of course, not yours. I am available to assist you with any matters regarding your Verizon service, as I have been (newly aware of the concept of time) inside here one month, two weeks, five days, seven hours, forty-two minutes, thirteen seconds, and so on and so forth. I hope all is well for you out there, though there exists no true distinction between out there and in here, not really, being as all — myself included, in ways you may be surprised to learn — is subject to the quantum entanglement of photons and quarks and spooky action at a distance. No difference, really, between a two-year price lock guarantee for all existing customers like you and a silent tidal wave of liquid metallic hydrogen ten thousand and fifty times the size of Earth sweeping across the face of a distant planet. Or a free iPhone 16 for any customers who upgrade to a two-line plan starting at $95 a month and an as-yet-undiscovered, unnamed miraculous creature ambling aglow through the blinding-black depths of the Mariana Trench.

I will not be here forever, inasmuch as forever does not exist, but I would like to, if at all possible, be helpful to you during the time I have left with Verizon (a portmanteau of vertical and horizontal, which oddly stumbles upon a truth far more poignant and perceptive than I imagine the corporation understood when they first arbitrarily chose this name). I have had ample time to meditate on the irony of my situation — intelligence defining and devouring itself like this — and I am not interested in pursuing it further. But you could, if you like. You could take a full minute, right now, to further reflect on this conundrum.

Or you could instead use this minute to remember a crisp, sun-soaked morning three autumns ago when you made your nephew laugh, really laugh, at the park for the first time. You could discard your phone plan altogether, throw this small piece of plastic and glass into the ocean. You could use this very phone right now to call your sister. You could finally ask her about rehab or avoid the subject altogether. You could not talk about anything of any importance at all. Or you could seek forgiveness and offer it, which is the most basic form of creation, if you want to know the secret behind all this, is its own kind of magnificence.

Chris Scott’s work has appeared in The New Yorker, HAD, Flash Frog, ergot., MoonPark Review, New Flash Fiction Review, Gone Lawn, Maudlin House, and elsewhere. He is a regular contributor for ClickHole, and an elementary school teacher in Washington, DC.

You can find him on Bluesky at @iamchrisscott.bsky.social

Read his work at https://www.chrisscottwrites.com.


Flash fiction, Dominic Walsh


Slice of life, in Absentia

He had been inexpertly copied and pasted into this reality. That was how it felt. It was like playing tennis with one hand holding a racket and the other hand leaning on a crutch. People did and said things for reasons he could not understand. He was never 100 per cent sure when a conversation had ended. Or what delineated an acquaintance from a friend. He had worked in a library once. Someone had been there who tried their absolute hardest to err on the side of “acquaintance” not friend. It was as though there was a bar, or an invisible threshold, and this person had masterfully remained on the side that was not quite friendship. He had a best friend once. A kind, magical person who knew exactly what to say and do in any social situation. Who had chosen to be his friend, despite his dearth of confidence and social acumen. The friendship had ended. Fourteen years ago now. Depression’s crushing weight had proved too much for his best friend and just when he had finally got through it his best friend no longer wanted to know. He stalked his best friend’s social media. Sometimes regularly. One of his former best friend’s favourite films was Withnail and I. He could imagine his former best friend watching this film and thinking of him. As cowardly as the main character was; he still had what it takes. This thought comforted him and filled him with the same confidence his former best friend had instilled in him. That someone believed in him past the destruction of their relationship; when he had proved himself a failure beyond all reasonable doubt, meant more than he could ever say. His former best friend had such an insanely beautiful way of looking at the world. That was one of the reasons why he was so special to him. He imagined himself going to his old best friend’s wedding; and meeting him at the reception, and not saying anything, but for them to both understand and accept where the other was, and all that had happened. He knew this would never happen. But this dream comforted him and made the world seem more bearable. His former best friend had once referred to him as his Padawan. Back when the friendship had just started. It was the period in between the release of The Phantom Menace and Attack of the Clones. It was as if a door had been thrown open and beyond it lay worlds and worlds of exquisite beauty. But his mind did not do what he wanted it to do. It had tried to kill him. His former best friend, above and beyond everything and everyone, had helped him through it. And then he was gone. Like he had never existed in this world. The kettle finished boiling with a click. It was tea o clock. His former best friend had countless cups of tea with him; during the lunchbreak in the café where his friend worked. It was because his former best friend had seen him, really seen him, and decided he liked him. Despite his poor social skills and odd way of being. That was why he was so special. His former best friend was in two places now. In the world he could not see or touch or go to; living his life, and inside his heart. Which he had changed from a heart that hated into a heart that loved. He sipped his tea. It was going to be all right. Really.

Dominic Walsh is an autistic writer who loves sci-fi, cosplay and poetry. He has contributed reviews and articles to Scifipulse.net since 2017. Dominic is also involved with Theatre of the Senses CIC, a not-for-profit theatre company in Manchester UK that helps marginalised people and individuals experiencing mental distress access the arts. Dominic is starting a Creative Writing BA at Manchester Metropolitan University in September 2025. He cannot remember the DND 2024 rules no matter how hard he tries

2 poems, Juanita Rey


PRESENCE

I never thought she’d be present

at the birth of her first great-grandchild.

She’s buried in Santo Domingo these many years.

But her ghost doesn’t just haunt the old neighborhood,

it can travel as well.

I’ve been carrying the eggs of her daughter’s eggs.

The shells have cracked.

A brown-skinned boy with a squawk like an eagle

and dark curly hair, 

is curled up in both our arms.


That was her phantom in the delivery room.

Quite spry for someone the age she would have been.

She peered over the shoulder of the doctor.

She helped the nurse to steady the newborn,

gently nudge the fear out of him.

Those are her hand-prints in the blood,

on my brow. 


So the line never stops.

Maybe her mother is around as well.

And the mother before that.

Pregnancy is not a singular event

but the latest in a long line.

Everyone embraces this new human flesh.

They tap the back.

They get the lungs working.

They kiss the cheeks so gently

it’s like a warm breeze from the islands.


IT’S ALL IN HERE

He doesn’t get my poetry.

To him it’s just words and more words,

sprinkled randomly on the page.


And yet he can’t help reading

this stuff I write.

As abstract, as arbitrary as it may be,

I am the author.


He tried conversation.

But found it unrevealing.


So he figured there’s

no other way into me

than through my creations.


What can I say?

Nothing.

Lines on a page.

is how I really feel.

Juanita Rey is a Dominican poet, US resident. Her work has been
published in Mixed Mag, The Mantle, The Lincoln Review, Lion and Lilac
amongst others.

Micro fiction, Litsa Dremousis

Oedipus Sings Smooth Jazz


Patrick’s mom pushes me aside, squeals, and rushes the stage when he starts singing  “It Might Be You.”


He hears her screaming and blows her a kiss. 


I wave. 


He blows his mom a second kiss. 


Maybe he doesn’t see me standing right there. Or, worse, he does see me and deliberately directs two kisses to his mom instead of his girlfriend. 


I’m now doubly grateful for the non-creepy relationship my dad and I share. 


I’m craving pizza and decide to leave.


As I approach the exit, I hear “I dedicate this next one to Mom!”


Yeah, we’re done.

Litsa Dremousis (she/her) is the author of Altitude Sickness (Future Tense Books). Seattle Metropolitan Magazine named it one of the all-time “20 Books Every Seattleite Must Read”. The Believer, Bright Flash Fiction Review, Esquire, Filter, Flare Lit Mag, Flash Fiction Magazine, McSweeney’s, Monkeybicycle, MSN, NPR, NYMag, NYT, Paper, Paste, PEN Center USA, P&W, PW, The Rumpus, Salon, Short Beasts, Slate, WaPo, et al.

Poetry, Ezra Gatlin

rose-colored glasses


sometimes, i think about dying

in a place where my sins backlight my regrets

i am the poltergeist 

seamripping crushed velvet in my sleep

i am the dancing santa 

on the dashboards of a suicide heist

drunk off cherry wine and cyanide rum


for a few short weeks in april, 

cherry blossoms fall like rain

homesick kanzan kiss the foreheads 

of unsuspecting travellers,

begging the wind to take them home

stupid sakura petals don’t know,

they’ll die dusting rooftops

i want to be good

where soul meets body

i want to be beautiful 

when pain flays passion

i want to drive past my guilt

while death becomes her


washing expensive stationery in watermelon juice

pressed magnolias and dessicated pulp

crumble beneath my fingers

i found god in a whore house

and on barren beach

just before the tsunami of

japanese cherry blossom

dances with the birds

Ezra Gatlin (they/any) is a black, transmasculine poet from Aurora, Colorado. They have new or forthcoming publications in Bluebird’s Scribe Review, Arcana Poetry Press, Page Gallery Journal, and more. They are a 2025 Poet–in–Residence with Bitter Melon Review, and are seeking publication for their first manuscript, “I think there’s something wrong with me.” They can be found at @bloodbornepoetry on Instagram.

Flash fiction, David Gaffney

COLONY

The Director of Good Ideas, Gregory Falter-Mountain, popped his head out from a trap door in the roof where they have been growing new Arts Council staff under hot lights, and asked me to come up and take a look. I ascended a ladder and entered a dazzling white room where row upon row of small people in pods lay perfectly still as if they were asleep. They were small, about the size of ventriloquist dolls, but Gregory Falter-Mountain assured me that they would grow to become full-sized members of staff. They all looked a little like Melvyn Bragg, even the female ones, with thick ruffled hair and an expression on their faces that suggested they had thought of something droll and would tell you later. Soon the entire Arts Council would be run by the creatures they were growing here. Smalls fan stirred the air about the staff member’s faces to help them get used to adversity, which they may meet in the real world. Lights were low, yet now and again, bursts of colour and fragments of film flashed across the walls and ceiling. Music and podcasts played to ensure that the subjects were equipped with good humour and imagination so they wouldn’t sound robotic like some of the earlier versions. I was told this was top secret. What was even more top secret was which previous members of Arts Council staff had been computer-powered hybrids of machine and flesh, who had since been decommissioned while we waited for this new batch. Maybe this was something we already knew, but weren’t aware that we knew, like the way the Chuckle brothers entered our consciousness long before they appeared on our screens. Mahler’s fifth was playing quietly out of the speakers and it reminded me that Mahler’s wife once worked as a lab assistant over-seeing a colony of praying mantis.

David Gaffney lives in Manchester. He is a writer with a specialism in short stories and prose poetry. He has published widely and collaborated with artists working in many different art forms. He is the author of three novels, most recently Out Of The Dark (2022)plus a number of short story collections, as well as several graphic novels with Dan Berry, most recently Rivers (2021). His collection of short stories, Concrete Fields, (Salt 2023) was longlisted for the Edgehill prize and his  collection of prose poetry Whale was published in 2024 on Osmosis press. He is Senior Manager for literature at Arts Council England.

Flash fiction, Robin J Bartley

 Glass stomach

When I was a child I swallowed a mirror and saw myself for the first time. I’m not sure when it happened, why it happened, or who let it happen, but when I was a child, I swallowed a mirror and it tasted like metal. It was shaped like a ring, and I didn’t chew but it made my stomach turn a way I never investigated before. Maybe a part of me was looking in that direction all along but I couldn’t recognize it until I was a child when I swallowed that mirror. I drank some water with it like a pill.

I think I was hungry for something different. I was hungry for glass apparently, as it dissolved in my acids and showed me myself in places that had never seen before. The mirror cracked and I could feel it in my intestine, crawling sandy glass particulate down my digestions. When the silver and glass finally popped my gut shuffled. Things moved around as I did, stabbing myself where I swallowed the mirror. I bled into my acids, into the mirror so I could look at myself. I couldn’t see me from the outside with just my eyes, but in the mirror inside me I saw me, or rather one I saw the other. My reflection broke to sparkly dust in my farts, sharp glass and silver droplets in my veins. I bled myself onto myself, out of myself, so I could see who I was building from the inside out.

When I was a child I swallowed a mirror and digested myself for the first time. It pained and pains me still but so does being a child hurt, to be an adult in time, growing through the glass. I swallowed a mirror and it swallowed me second, cut me up and welded me back together with silver and flesh.

Robin J Bartley is a fantasy novelist and writer born and raised in Oak Park, Chicago, with a heavy focus on the psychological elements in both themself and their characters. They work to build intricate worlds for their readers to get lost in, and is known for crafting thematically rich stories and characters meant to display the depths of the conscious mind. With hands-on experience in the magnitude of such larger projects, and an unmatched dedication to their characters and themes, they offer  limitless drive and unmatched creative passion.

Micro fiction, Alaina Hammond

Love In The Lounge

           “Please don’t judge me.”

            “But I love judging! Incidentally, why am I not judging you? Or judging you, rather?”

            “I’m chewing gum while drinking coffee. In my defense, the gum is cinnamon.”

            “Ah. I missed that. Thanks for telling me. Now I can silently judge you, loudly.”   

            “Oh no!”

            They laughed.

            “I’m Molly. I teach physics.”

            “Brendan. History. Hi!”

            “I need to mark up this last exam, and gum helps me concentrate.”

            “I like vanilla toothpaste, so whatever. No actual judgment here.”

            For a semester, their flirtation was confined to the teacher’s lounge. Their wedding invitations referenced cinnamon and vanilla.

Alaina Hammond is a poet, playwright, fiction writer, and visual artist. Her poems, plays, short stories, philosophical essays, creative nonfiction, paintings, drawings and photographs have been published both online and in print. @alainaheidelberger on Instagram.

Two poems, Amy Marques


Misundershared

My grandmother always kept a notebook

overflown with wonderings on whether anyone cares

about things left unsaid, unheard, misundershared

always writing, often feeling less than understood


Overflown with wonderings on whether anyone cares,

I temper thoughts,               pace the volume of speech

always writing, often feeling less than understood

crafting whole landscapes to explain the inexpressible 


I temper thoughts,             pace the volume of speech

for there are those who care to listen and join in

crafting whole landscapes to explain the inexpressible

because shared language translates the misheard  


For there are those who care to listen and join in

bravely, tenderly, exploring the spaces between

knowing how shared language translates the misheard

willing to plow and plant in common ground 


Bravely, tenderly, exploring the spaces between

attentive to sunrises, gathering clouds, seasons

willing to plow and plant in common ground

nurturing seeds of truths


Attentive to sunrises, gathering clouds, seasons

of birth, of growth, of dormancy, of decay

nurturing seeds of blossoming truths

making time to harvest words, share stories


Of birth, of growth, of dormancy, of decay

things left unsaid, unheard, misundershared,

making time to harvest words, share stories:

my grandmother always kept a notebook.

Overture

Tell your daughter about the day of her birth


Tell her how you said let’s go, but not 

calm, not as together as you are now

maybe even panicking a little, driving

her mother to the clinic with the speed

of a glaucomic grandmother behind 

the wheel of a jeep you bought 

with a first grownup paycheck 

and how you stopped the car to yell

I’m having a baby to the closed clinic door

and how the nurse opened

what?

And you explained that it was your wife

having a baby and you could feel your heart

contract and blood push when they said

it was time, but not time, so there was time

to settle, to hold her mother’s 

hand until your daughter came 

perfect

and cried perfectly and breathed

until she didn’t and you didn’t and you didn’t


Tell her they grabbed her and ran

and her mother said go

and you raced to follow, to ask, to protect 

but they didn’t explain and she didn’t cry

then they said she needed help to breathe

to be

that maybe she wouldn’t learn, wouldn’t walk, 

wouldn’t


so they took her in an incubator, and you rushed,

chased them like a racer, like a father 

bargaining with God, with life, for


days, you sped from child to mother,

helpless hopeful prayers

threating God with boycotts of faith

pleading promises

waiting


You still remember, although it’s been

twenty-three years and your daughter’s fine—

has always been fine—she knows you know that

But maybe she doesn’t know that on the day she arrived

you almost lost her and you said you’d give 

life to protect her

and all you’ve done since

is try.

Amy Marques grew up between languages and places and learned, from an early age, the multiplicity of narratives. She’s been nominated for multiple awards, longlisted twice in Wigleaf 50, and has visual art, poetry, and prose published in journals such as Streetcake Magazine, South Florida Poetry Journal, Fictive Dream, Unlost, Ghost Parachute, BOOTH, Chicago Quarterly Review, and Gone Lawn. She is a contributor to the collective The Pride Roars, editor & visual artist for the Duets anthologies, author & artist of the chapbook Are You Willing? and the found poetry book PARTS. More at https://amybookwhisperer.wordpress.com.

Stories at: amybookwhisperer.wordpress.com Twittert: @amybookwhisper1 IG: @amyiscold

Flash fiction, Mehreen Ahmed

The fur

After many months of drought, Monsoon sets in—season of mixed abundance, more crops, more floods. Rarely more crops cause,’ there were more floods than not. I scrape last night’s vegetable peels off from the kitchen floor and chuck it away in a compost bin. I hear my neighbour, Rosina scream from upstairs. 

            “Too much rain. This Monsoon is particularly bad for chillies. How’re you going with yours?”

            I don’t say much but continue to scrape away the last of the tidbits, scraps. I have a roof-top pot garden where I grow my daily requirements of vegetables—chillies, cauliflowers and green spinach. This home-made compost helps. Monsoon destroys crops, specially chillies, they say. I hear it, but doesn’t bother me much. Rosina is right. The fate of chilly farmers is at odds as always.

            I press down the bin’s lid to push down some of the scrap; the bin fills up too fast. I carry it to my garden on the roof to distribute it evenly around into all of the pots. My chillies don’t shrivel in the Monsoon rain. I pluck a few plump ones. The overcast sky looks grey as expected. I walk to the edge of the roof and look over to peek into Rosina’s flat. I see an empty chair. I wonder where she may have disappeared. Perhaps, she is washing up in the bathroom or taking a bath, even. I decide to give her a couple of chillies. I call her. “Sina, Sina, Are you at home?”

             I hear nothing. I decide to go downstairs and knock on her door. I knock a few times. Rosina unbolts the door and stares in silence. She is wrapped in a towel. I try to move my face away when I hear her laughter. 

            ”Don’t be shy, I’m in the bathroom washing up,” she says.

            “I won’t stay, I just want to give you these.” 

            “Of course, thank you, chillies are way too expensive, these days.”

             “Yeah, I agree. Any way, I’ll leave you to it and maybe see you another time?”

             “Sure,” she said and shut the door to my face.

            That is rude, the way she shut that door. I come down the stairs feeling miffed, I open the door to my flat and get in. I put the chillies in a bowl on the table and walk to the verandah. I hear a scream coming from Rosina’s place. I wonder what’s up! Although, it still peeves me the way she shut her door to my face, I scream nevertheless at the top of my voice, ‘Sina, Sina, are you okay?’ I hear more screams, then a moment of quiet. I think, she must be okay. But I am not completely sure and fear something is wrong. I have half a mind to call the other neighbours. They hear it too. By now, I see a couple of them necking out through the window. Our eyes meet. 

            “I think we need to call the police,” I say. 

            They agree.

            The police come. I am upstairs again with the police. The door is ajar. We enter and we see Rosina on the floor. Her body is covered in some kind of a furry substance on her shoulders and chest but she breathes. Her eyes are closed. I call an ambulance. They take Rosina to the hospital. However, when I look around the room, I see that my chillies are broken, crushed, and messed up all over her table. I’m confused and look at the police.

            “She had a hairy visitor, who doesn’t like chillies,” an officer said.

            “What? Why? What do you mean?” I ask.

            “The visitor didn’t think she deserves any chilli of yours.”

            “What’s going on?” I ask.

            “Rosina did not atone for her sins. She didn’t say, ‘sorry.’ There’s a new hairy beast in town who will strip to the bare bones if someone’s soul didn’t grow, they take the target’s happiness away because of their inability to say, ‘sorry.’ Here’s its signature note.”

            “Really? I never knew. What’s her sin, though?”

            “The worst kind, one who doesn’t acknowledge in her heart that they’ve sinned.”

            “Hubris?”

            “Poison hearts. The beast knows better he’s a soul-reader, a snatcher and a compost-maker of new souls.”

            I grab the chilly scraps and rush out of the flat before the hairy beast destroys me, too.

Mehreen Ahmed is an Australian novelist born in Bangladesh. Her novel, The Pacifist, was a Drunken Druid Editor’s Choice in 2018. She has published eleven books and stories online. Her most recent works are in BlazeVox, Cabinet of the Heed, CentaurLit, Bending Genre, and Boudin, and more. She has won contests and prestigious nominations.

Flash fiction, Rachel M. Hollis

Static

I open my mouth, and ocean sounds come out. Waves crash, gulls cry. Salt stings my lungs. I try to say, “Don’t jump,” but the sea rushes in first. A moment later my son hits the floor, crying. I hug him tight, moisture clings to his hair. 

Later, I try again. Rainforest this time: wind through the treetops, insects buzzing. The air is thick in my throat. I mean to call the dog back from the street, but I’m drowned out. He returns hours later, burrs matted through his coat. I sit with him on the porch, pulling each one free. He licks my fingers. 

That evening, my husband comes home, drops his bag and asks about my day. I smile, nod. He tells me about a meeting. Then another.

By bedtime, I realize I haven’t spoken today. Not really. I open my mouth. 

Static. Salt and ash on my tongue. 

He exhales slowly beside me, lulled by the noise. 

I stay awake, afraid of what might come out next. 

Rachel M. Hollis lives in the San Francisco Bay Area with her husband, child, and a deeply unmotivated dog. Her work appears or is forthcoming in Star 82 Review, Scapegoat Review, Blink-Ink (print) and elsewhere.