Poem by Gloria Ogo
The Gospel of Joy
First, wake before the noise.
Let the morning rest on your skin
like a secret nobody can take.
Boil water. Add cardamom, maybe mint.
Name the steam as it rises.
Today it could be Grace. Or Glitter.
Something alive.
Play a song that makes your bones remember
what laughter felt like
before the world tried to tax it.
Dress in the colors that make strangers stare.
Wear yellow like you invented the sun.
Paint your lips in defiance
not for beauty,
but for proof you exist.
When you pass another queer soul on the street,
nod like a shared gospel.
That tiny acknowledgment:
a hymn of survival.
Eat slowly.
Touch gently.
Love like you are building a nation
out of every yes your body has ever whispered.
They will call this joy a distraction.
They will call it excess.
But you know
joy is a borderless country
we return to when language fails.
Tonight, when the moon lowers herself
into your window frame,
let her see you dancing,
still shining,
still here.
Gather in the kitchen,
bodies swaying between gospel and bass,
air thick with pepper, laughter
of something holy refusing to die.
Jade is frying plantains again,
says the oil talks back like an auntie
loud, protective, full of truth.
I slice mangoes the way my mother taught me:
slow, reverent, like blessing a wound.
We eat with our hands,
lick sweetness from our fingers,
and call it prayer.
Outside, the news tries to remind us
we shouldn’t exist this loudly.
But we do.
We braid each other’s hair,
paint our nails gold,
rename every hurt into something worth keeping.
Someone plays Nina,
and the room softens
we sing along
to be seen.
This is our resistance
to laugh in a country that calls our joy arrogance,
to hold each other without apology,
to dance until the floor remembers
we were here.
And when the night folds into itself,
we step outside, glowing
brown skin shimmering with sweat and belonging.
Together watching the stars lean close,
whispering, look at them
still here,
still holy,
still bright.
Every Sunday we gather
arms full of groceries, hearts half-full
and trying.
Mara brings flowers from the bodega,
their stems already leaning toward us.
Dee hums something off-key,
and the sound wraps around the room
like safety.
We know what it means to be uninvited
so we make our own table,
wide enough for the ghosts and the living,
for whoever needs to rest awhile.
Here, no one asks who we love
or how we survived.
We already know.
Instead, we pass the salt,
refill each other’s joy,
and build a small country out of care.
Outside, the world is still
a little too sharp,
a little too loud.
But inside, we name the soft things
and mean them.
When the lights flicker,
We pull candles from drawers,
and the glow makes every face golden.
This is family
made, chosen,
stitched from memory and mercy.
This is how we stay.
This is how we shine.
Gloria Ogo is an American-based Nigerian writer with several published novels and poetry collections. Her work has appeared in Eye to the Telescope, Brittle Paper, Spillwords Press, Metastellar, Gypsophila Magazine, Harpy Hybrid Review, and more. With an MFA in Creative Writing, Gloria was a reader for Barely South Review. She is the winner of the Brigitte Poirson 2024 Literature Prize, finalist for the Jerri Dickseski Fiction Prize 2024, ODU 2025 Poetry Prize, and the 2025 Rhonda Gail Williford Poetry Prize, with honorable mentions. She is also a finalist for Lucky Jefferson’s 2025 Poetry Contest. Her work was longlisted for the 2025 American Short(er) Fiction Prize. https://glriaogo.wixsite.com/gloria-ogo.

