Thought about stealing Amazon packages off doorsteps to generate some extra income, but all of my generous neighborshave cameras with speakers, sometimes having long conversations with me from across the street. A bit nerve wracking what with all the questions they ask. Amazing what one normalizes. I haven’t reconsidered attending the Abominable Absurdism Reunion, still pretty firm on that. Then there are the watchdog animals behind electric fences that run at me aggressively and suddenly stop. Pretty sure their vocal chords have been removed cause when I stop for a little chat they just groan. The stabled horses are doing much better. The arses that sit atop them call to me imaginatively in various degrees of missionary undress. I have a beat-up but clean van that might pass for an emergency vehicle, inclusive or exclusive at a moments notice. Uniforms I don’t aspire to but then again, if they could help get me in why not? I’m game.
Colin James has a couple of chapbooks of poetry published. Dreams Of The Really Annoying from Writing Knights Press and A Thoroughness Not Deprived of Absurdity from Piski’s Porch Press and a book of poems, Resisting Probability, from Sagging Meniscus Press. He lives in Massachusetts.
https://templeinacity.com/wp-content/uploads/2025/02/Temple-In-A-City-Logo5.png00Eirenehttps://templeinacity.com/wp-content/uploads/2025/02/Temple-In-A-City-Logo5.pngEirene2025-09-17 04:17:002025-09-18 10:21:40Micro, Colin James
Author/Artist Todd Matson is a Licensed Marriage and Family Therapist in North Carolina, United States. His poetry has been published Feminine Collective, San Antonio Review, The Brussels Review, and featured in Poetry for Mental Health. He has also written lyrics for songs recorded by several contemporary Christian music artists, including Brent Lamb, Connie Scott and The Gaither Vocal Band.
Before she came, there was only darkness. Unremitting night surrounded, moonless. Their limbs shrank, conserving energy within their bodies like bulbs sheltering in winter soil.
And then she dropped into their midst. One of them caught sight of her in the woods, a bright sphere of light, illuminating the world. They stared at her from the grey shadows. They watched the warmth of her smile that radiated light into dank corners of the forest. Her fingers stretched wide, leaking flashes of brightness into their world. They turned to each other, shaking their heads in puzzlement.
Could they trust her lightness? A few of the braver ones began to move towards her. As they tiptoed closer, their bodies shivered as brightness began to pulse through their limbs. An unfamiliar energy photosynthesised their veins. As their pinprick pupils began to adjust to the glare, they shrugged off the frowns of the dark years. Etiolated limbs began to stretch and lengthen in her powerful rays. Then she began to speak and her maple-syrup sweet voice reached them. She spoke of love and happiness, filling the woods with the beauty of words. Soon the reluctant ones drew closer, taking slow steps towards the new world, she had revealed. There was joy in their faces. They formed songs with their new vocabulary and smiled in her presence, shrugged off the old world. One morning, she was gone.
The people halted, fearful of the past returning as they gazed into the void she had left. They waited in silence for the darkness to return. But as they turned towards each other, they saw light throbbing through each of them.
Denise Bayes has been published in NZ Micro Madness, Free Flash Fiction, Oxford Flash,100 Word Story, Ellipsis Zine, Firewords ,Roi Fainéant press and the recent NFFD Anthology. Originally from Sunderland, Denise lives in Barcelona, Spain where she lives with her husband and a lively cavalier puppy called Rory. Bluesky @deniseb.bsky.social
There were tides inside, lap-rolling and full of swimmings with and
Against the waves, lagoons of shifting plastic, and seabirds fighting
With the shore birds fighting with the waterfowl, intarsial contrails
Of diving, flying over, falling into. Nearly every morning she awakens
Only partly, the slosh of dreams and the chilled saltiness of reality
Staggering her back into jumbled half-action.
The clear light and the unclear, and how the two of them liked to switch
Between the two.
The clear undercuts the unclear, which is fun in a jungle
Sort of way—you never knew what phenomena you’d encounter in the fog.
Focus on breath in, hate out.
Breath in, hate out.
Janus felt the negative leave his core, or
At least decided that’s how he’d describe it
Later.
Breath in, hate out.
Or should that be breathe? He hated those online
folks who didn’t grasp the difference. (Spells & spellings.)
In any case: in through the twins, observing thoughts
As they froth and ferment. Then: out through the lips,
Fumigating the caverns of contempt in the digestive knowledge
Management system.
Distantly, a jet plane quiet-thundering through the clouds;
On the next block, a Sonata slides by, its tread smooth and humming.
He could sit here and listen to the dawn-sounds, the sound-
Makers afar and invisible, and be happified for the rest of his
Life, he mused.
His wife, Eleanor, enjoyed a different pathway into the light:
Influenced by an influencer, she went out each dawning before
Anything else. Barely dressed, barefoot or flip-flopping along,
Ellie followed the notion of forcing undesired action into being,
Doing that which she didn’t want to do to skill her mind into
Facing the unknown; specifically, the rest of the unraveling day.
As a strategy, this swelled and broke like an egg. Those summer
Mornings in Maryland, inches past daybreak, and she could feel
The hint of heat, the tingly precursors of rain, the immediate world
Still coated in night’s silences. This emergent love of the pale,
Creeping minutes in a pale and creeping hour derailed the project
(As happens sometimes). Later, a post she drafted explained it,
How what she’d avoided became what she desired, and undid all
The wisdom of the shift. Yet also brought the amor fati peace that
Newsreel chatter, sparkly cocktails, party favors, and elbow-brushings
Had failed to.
Her husband, whose name is likely Janus, was, is, and will be
Ever unaware of the sutured joinings of her Buddha nature.
Peter Gutierrez is a poet and writer with work in Bruiser, Exist Otherwise, Not One of Us, and Lxminxl; his books include the story collection From Bad to Worse and the novella The Trees Melt Like Candles. You can find him online @suddenlyquiet.
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And bringing out all the favorite constellations in a row
I stay inside with my lights on, blocking it out
I have no desire for their show
We do not deserve to look away from earth, not now
Ben Nardolilli is a theoretical MFA candidate at Long Island University. His work has appeared in Perigee Magazine, Door Is a Jar, The Delmarva Review, Red Fez, The Oklahoma Review, Quail Bell Magazine, and Slab. Follow his publishing journey at mirrorsponge.blogspot.com.
https://templeinacity.com/wp-content/uploads/2025/02/Temple-In-A-City-Logo5.png00Eirenehttps://templeinacity.com/wp-content/uploads/2025/02/Temple-In-A-City-Logo5.pngEirene2025-09-17 04:09:002025-09-18 10:17:15Poetry, Ben Nardolilli
We’ve named this issue Light. As in at the end of the tunnel, but also exposure. The light that disinfects. Light that illuminates or is painful enough to seek the relief of cloud. Light as in without heaviness, what can drift in even the slightest breeze. The spray of a wave, the bubble in a river. The relief of letting go. There are so many forms of light in this issue. We hope you’ll love it.
Denise Bayes Kendra Cardin Peter Cashorali
Yuan Changming Ronita Chattopadhyay Toni Della Fata
Josh Dale Monica Dickson Travis Flatt
June Gemmell Peter Gutierrez Megan Hanlon
Kyla Houbolt Colin James Ben Nardolilli
Todd Matson Lance Mazmanian Emily Rinkema
Elizabeth Rosen Vijayalakshmi Sridhar Joshua Walker
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