Explore
Search by creator name, piece title or topic
Most recent index
PS
This is the signature of street artist (and regular…
Temple in a City is an online literary journal for creative respite, release and renewal. There's lots of room in these grottos.
Bluesky
@templeinacity.bsky.social
This site uses cookies. By continuing to browse the site, you are agreeing to our use of cookies.
Accept settingsDo not accept settingsSettingsWe may request cookies to be set on your device. We use cookies to let us know when you visit our websites, how you interact with us, to enrich your user experience, and to customize your relationship with our website.
Click on the different category headings to find out more. You can also change some of your preferences. Note that blocking some types of cookies may impact your experience on our websites and the services we are able to offer.
These cookies are strictly necessary to provide you with services available through our website and to use some of its features.
Because these cookies are strictly necessary to deliver the website, refusing them will have impact how our site functions. You always can block or delete cookies by changing your browser settings and force blocking all cookies on this website. But this will always prompt you to accept/refuse cookies when revisiting our site.
We fully respect if you want to refuse cookies but to avoid asking you again and again kindly allow us to store a cookie for that. You are free to opt out any time or opt in for other cookies to get a better experience. If you refuse cookies we will remove all set cookies in our domain.
We provide you with a list of stored cookies on your computer in our domain so you can check what we stored. Due to security reasons we are not able to show or modify cookies from other domains. You can check these in your browser security settings.
We also use different external services like Google Webfonts, Google Maps, and external Video providers. Since these providers may collect personal data like your IP address we allow you to block them here. Please be aware that this might heavily reduce the functionality and appearance of our site. Changes will take effect once you reload the page.
Google Webfont Settings:
Google Map Settings:
Google reCaptcha Settings:
Vimeo and Youtube video embeds:
You can read about our cookies and privacy settings in detail on our Privacy Policy Page.
Privacy PolicyAutomated page speed optimizations for fast site performance
For you
/in HereFiction by Kelly Murashige
/in HereDriving Faith
when you were young, you forgot every car has a driver.
you have asked countless people if they forget too. every time, they reply, no. what the hell is wrong with you?
in your defense, you were in desperate need of glasses. once you got them, thin wire frames that glinted red in the sun, you realized there were faces behind all those windshields.
this is what you are thinking as you stand in the kitchen.
not yours. not your kitchen. yours is nowhere this nice.
this is hope’s. your older cousin’s. you two hardly ever speak.
you told your parents you don’t need a babysitter. you’re old enough to stay home on your own.
really, faith? your mom said. you’re going to fight a woman already battling cancer?
you hate when your mom plays the stupid cancer card. she claims she can, since your aunt, her older sister, did it first.
you got mad when she did that, you pointed out to her once.
yes, your mom replied, but now i have cancer, so i can.
“faith,” hope calls out.
you turn, your fingers tangled behind your back.
you never like your name but hate it most when you’re with hope. you’re like the parson’s daughters who preach love yet exude hate.
“your mom and dad just left the hospital.” hope grabs her keys. “ready to go?”
no. no, you’re not. you don’t ever want to go home.
you follow hope out of her house, then into her new car. you wish you could switch places. your mom always liked hope better.
hope starts the car, then guides it out of the driveway and down the street. you watch her house disappear in the rearview mirror.
“so,” hope begins.
you instantly wince.
“how’s your grandpa?” she asks.
the muscles in your neck spasm involuntarily.
you picture frog legs. salted frog legs. when they move, the children scream.
“my… grandpa?” you echo. “like, as in my dad’s dad?”
last week, you met up with your old childhood friend. he moved away for a while and came back all wrong. it took until now for him to seem like himself, and though your dad didn’t want you hanging out with him, convinced you would come back engaged and six months pregnant, you agreed to meet up for a while, by the beach.
how’s your grandpa doing? your friend asked at one point.
you turned to him, chilled, and said, loudly, what?
he shrugged. this didn’t really seem like an occasion on which one should shrug, but he was never the most socially aware person. it’s why you got along so well.
i remember your mom telling mine about him, he said. i was just wondering how he’s doing now. that’s all.
he died, you replied.
he blinked, caught off guard.
i—he paused; you found yourself oddly reassured to know you weren’t the only one who left gaps in each conversation—i’m sorry. i didn’t know. i thought he was still in… i mean, in—
hospice.
this, you’d discovered, was how to tell if a person had ever loved someone who had gone into hospice. those unfamiliar shied away from the word. those who’d had to see it knew it wasn’t the word that evoked fear. it was the smell, or the stare, or the wide, gaping mouth.
i’m sorry, he said again.
then it was your turn to shrug.
it was a while ago, you said, as if that made it better.
maybe it did. you wouldn’t have even remembered exactly when it had happened if you hadn’t been the one to design the funeral program.
“no,” hope says now. “your mother’s dad. how’s he doing?”
you lick your lips, wishing you could just disappear.
in your mind, you have one grandpa, now kept captive in an urn. the other is called jiji, a shortened, slightly incorrect version of the japanese word for grandpa.
“he’s okay,” you reply. “he’s tired but okay.”
tired because his two children are living with cancer.
okay because he must be. you all have to be okay.
at least, you tell yourself, your mom is still in good spirits. the last time she was on the phone with a friend, she claimed her upcoming mastectomy wouldn’t be all that bad.
on the bright side, she said, i could lose up to one whole pound.
you hate being a woman. you wish you were a car. then again, how many men act like their cars are women?
“he’s okay,” you say again, if only to yourself.
“good,” faith replies. “that’s good. i’m glad to hear.”
she pauses. you know, now, what she is going to ask next.
she spits it out: “how are you?”
you’re tired, and you do not want to talk.
you take the tissue she’s offering without understanding why.
then, once the tears start dripping down your neck, you smash her gift against your face.
when you were growing up, in addition to believing most cars drove themselves, you also thought you and your cousin had to be two separate species. she was everything you knew you could never, ever be: pretty, popular, prom queen two years running.
yet here, in her car, you see she knows you better than you’ve ever known yourself.
“thank you,” you say. then, later: “sorry.”
“don’t be sorry,” hope says. “just rest. you’ll be home soon enough.”
when you turn to the window, you find a familiar scene. if you squint—as you have to; you left your good contacts at home—you think you can see your apartment building.
“just rest,” hope repeats, her voice smoother than the road.
you force yourself to relax. the car seat embraces you.
you lean back, exhale slowly, and let hope guide you home.
Micro fiction by T.L. Tomljanovic
/in HereIt don’t mean a thing
The boy is clever. He is awkward. Although he loves jazz, he never joined the middle school band. Today, he lied. The lie was why he was late coming home from school. A locker. A bully. The bruise on his forearm looks like a grape tomato, the one on his thigh looks like a bloody steak. In elementary he performed at the talent show. He’s older now. He knows better.
Flash fiction by Huina Zheng
/in HereWhat we share
To him, the most romantic kind of love was a couple with white hair still standing side by side, watching the sun sink into the sea. We had only been living together for three months, yet we had already begun imagining the texture of our love: I thought of sails pitched against open water while he pictured a long, unbroken horizon. I told him he was wrong. How many couples ended up walking into the grave of marriage? How many spouses truly shared life with each other instead of bitterness? He always met my pessimism with a smile. He liked my edges; I liked the way he gave. When I came home from work and stayed up late studying for the graduate entrance exam, he would make me a cup of warm milk. Even when we had nothing, he still believed that being together was enough to make us happy. At twenty-three, we had both just graduated from college. He rented a tiny stall to repair phones; I worked as a clerk at a foreign trade company. We shared the same insecurity, only from opposite directions. Years ago, his parents had sewn all their savings into the lining of their pants and left for Guangzhou to make a living. His grandmother in the countryside forced him to stay behind. His body was left with an emptiness that could never be filled, his parents forever somewhere beyond reach. In my family, after my brother died of leukemia, my parents turned the living room into a courtroom of mutual accusations. My mother spent most of her days lying in bed, sobbing. My heart learned what it meant to feel distance at close range. We were both afraid of being abandoned. He tried carefully to please me; I planned to leave the moment he showed any sign of growing tired of me. When I had a fever, he stayed up with me through the night, poured warm water for me, checked my temperature. I clung to his gentleness. It was a hunger my body had learned to live with. He said when I was angry, I was like a cactus, bristling with sharp spines. After long hours repairing phones, his fingers always carried a sticky residue that never quite washed off. A film made of glue and sweat. Once, he brought home a pair of diagonal cutters, the blades sharp, gleaming with the cold light of a rodent’s teeth. He asked me to lie down and said he would help trim away the spines that had risen up. When the cutters closed, they made a faint sound, like fingernails being clipped. I imagined the nameless resentment that roamed beneath my skin being cut away, stripped off with precision. I wondered whether my mother had once wanted to pass something like it on as well. Whenever I was home, she would complain to me. About her headaches, her insomnia, the loudspeakers downstairs, the mold on the ceiling, every moment she felt she had been wronged. My comfort turned her into a black hole, draining me of hope. At night, I slept with my back to him, curled up like a baby. The spines along my back kept growing, sharper than before. He asked what was wrong. I said I was just tired. He asked if I had been losing sleep again, if I was having trouble breathing, and suggested we go running or hiking. His care settled in the details. I wanted to say that all I needed was a warm embrace, but my body didn’t know how to ask. He wrapped his arms around me from behind. I told him to be careful of my spines. He said it was fine. The spines pressed into his chest, like bamboo shoots searching for a place to take root between stones. Through pajamas, I could feel his body heat. I told him I loved him, that I wouldn’t leave him, using my words like a pledge to fill the emptiness in his chest. He said we would last forever. So we lay there, holding each other. Waiting for seas to dry and rocks to crumble. Waiting for our bodies to learn each other. Waiting for the future we cannot escape.
Naturally
/in HerePoetry by Nora Rawn
/in HereLHR to JFK
It will feel good to step into the
free air of New York City, a young
woman says, her tall companion trailing
alongside with his suitcase—hard
to tell how serious they are,
glamorous in their youth, untroubled,
returned from London where
petrol is up 7 to 15p, depending
on the station, where CNN London
shows bombings of fuel depots
on one split screen, a sodomized
Palestinian prisoner on another.
Will flights be canceled? Will
prices rise beyond the
far horizon? The stewardess
hands out landing sweets
down the aisle, her bowl
proffered row by row—maybe,
one last memory of the world
before it falls. Visual ID at the kiosk,
facial recognition complete,
no chat with customs. Past
the cab line, cloudy sky
and cold, an ICE van sits
and waits. The taxi driver
takes your address, and fortunate,
you leave the worries of others
for another day. You find
your own worries. You are
in the free air of New York City,
the potholes being fixed,
something festering beneath.
Poetry by Solape Adetutu Adeyemi
/in HereThey told us to but did not say where. Makoko demolition
They told us to go,
but did not say where.
So we lifted our lives in our hands like bowls of water,
already spilling, already thinning,
and waited for the ground to appear beneath our feet.
But the ground was a question.
The water was a memory.
And the air was full of orders with no directions.
In Makoko, houses learned to float because the world beneath them refused to stay.
Wood balanced on water,
corrugated roofs leaned into the sky like tired shoulders,
and children learned the language of paddles before the language of books.
We built our prayers on stilts.
We cooked hope over open fires that trembled with every passing wave.
We slept listening to the lake breathe.
Then the machines came,
with teeth of iron and voices of authority.
They spoke of development,
of danger,
of removal.
They spoke in straight lines and legal papers,
while our lives were written in circles of tide and time.
“Go,” they said.
As if “go” were a place.
As if “go” had a door,
or a bed,
or a name.
Wood cracked.
Nails screamed.
Roof sheets folded like wings that forgot how to fly.
The water swallowed what it had once carried,
not gently, not slowly,
but with the hunger of something that had been commanded to erase.
Mothers clutched cooking pots like lifelines.
Fathers held silence in their fists.
Children counted the planks of their homes as they disappeared,
one, two, three—
until there was nothing left to count but waves.
Homelessness is not only the absence of walls.
It is the absence of tomorrow.
It is the way night stretches when you no longer know
where morning will find you.
It is the cold that enters the body
and refuses to leave.
It is being told you do not belong anywhere,
and being given no map to prove otherwise.
They told us to go,
but did not say where.
So we stand between water and sky,
carrying the weight of a place that no longer exists,
yet refuses to die inside us.
Makoko still floats in our chests,
in the rhythm of paddles,
in the smell of smoke and fish,
in the songs that rise even when the houses fall.
We were not moved.
We were unrooted.
And the earth, like the water,
is still deciding
where to let us rest.
Micro fiction by Lori Cramer
/in HereBecause If I Hadn’t Taken Your Call, I Would’ve Always Wondered
if our relationship was nothing but a game to you, if you regret the words you said to me more than those you withheld, if I’m finally brave enough to tell you I’ll never be the person you’ve imagined.
Flash fiction by Christine Gallagher Kearney
/in HereRed Goes to the Desert
Little Red Riding Hood looked at the red cape, the generous hood folded open like a mouth beckoning her back in. Were those teeth? She squinted but saw only darkness where the fabric folded into oblivion. She knew going back would bring ruin. But what if she had kept wearing that cape, had run around in the woods with that basket looking for danger? Or was it, waiting for danger to find her? She couldn’t be sure. Her memory was obscured by wolf-themed trauma.
Red had given up the deep forest for the arid and sandy landscapes of Tucson, Arizona. But she longed to put the cape back on. It was like an old friend who refused to text her back, but also refused to end the friendship. Now that she was safe in this two-bedroom rambler, it no longer mattered. She could give the cape to Goodwill and wear the new Irish jumper her mother had brought back from a visit to the Emerald Isle. “Red,” her mother had said, “this will keep you warm and protect you from snakes on desert nights.” At least that’s what the old Irishman had told her.
Red thought the desert lifestyle suited her. She smiled as she watched greater roadrunners flip their tail feathers and Gila monsters plod along, their bellies plowing dry dirt. She no longer jumped at the sound of a howling wolf, although admittedly she cringed when she heard the rattle of a tail just beyond a boulder. Sure, she missed her woodland friends. They were less scaly, more apt to smile. She had yet to encounter a smiling reptile, and the cacti were predictably prickly. But then she remembered the wolf smiling at her and thought with a shudder, It’s okay if they don’t smile. I don’t need everyone to like me.
Flash fiction by Kelly Murashige
/in HereThe Prize
You have never wanted anything more than you want that giant rodent.
You bounce on the balls of your feet, your eyes glued to the pile of capybara plushes sitting behind the glass in the claw machine. Your mommy and daddy have been trying to win one for you for the past ten minutes, and you’re starting to lose hope.
You love capybaras. They’re your favorite animal in the world. That highly coveted title once belonged to unicorns, but then Justin Chun told you unicorns weren’t real and therefore don’t count, and you had to keep yourself from shouting, Or maybe YOU don’t count, JUSTIN in his stupid, ugly face.
You were sad for a while, about the unicorns. Now that you’re older—it’s been a whole three weeks—you have come to believe capybaras are the better animal. Unicorns, if real, would have turned you into a human shish kebab anyhow.
“Two more seconds,” you say, staring at the timer display. “Daddy, two more seconds!”
“I got it,” your daddy says, lifting his hand from the joystick.
He slaps the center button. You pray with all your might. You’re afraid begging God for a toy might be what your mommy would call sacrilegious, but you can’t help it. You want it so, so much.
If You give me this, you think, I swear I will be good.
You watch, your fists clenched, as the metal claw descends.
Two silver prongs poke the capybara’s butt. Three suspenseful seconds later, they pull themselves back out.
You exhale, disappointed. Your mommy shakes her head.
“Again,” you tell your daddy. “Daddy, try again!”
Your daddy slips his fingers into his pocket. When he comes back empty-handed, just like that stupid claw, he says, “Give me a second, sweetie. I have to get more tokens.”
“More?” Your mommy frowns. “Is that such a good idea?”
You make a face. Your mommy’s silly. Of course it’s a good idea. More tokens mean more plays, which means more capybaras.
Your daddy turns away.
“I’ll be back,” he says.
Your mommy’s brows pull together. You’ve learned this means she’s mad. You try to tell yourself it’s because your daddy hasn’t won anything yet, but you’re not sure that’s it.
You’re still staring at the pile of capybaras, hoping you’ll magically develop laser vision and melt the glass separating you from the only things you’ve ever wanted in your whole entire life, when it hits you. You remember. What Katherine said yesterday.
You don’t like Katherine Miller. She stole your best friend twice. Then, yesterday, during lunch, she stood up and announced to everyone that soon, you will be poor. Her daddy is your daddy’s boss, and according to her daddy, your daddy’s losing his job.
On the way home, you told your mommy what you’d heard. She went quiet. Said don’t worry. That was a grown-up thing.
You knew then that it was true. That Katherine was right, and you’re going to be poor.
You know being poor isn’t always bad; Cinderella and Snow White were poor, and they got their happily ever afters, didn’t they?
You’re just afraid you’re not pretty or sweet or a good enough singer to make a handsome prince want to marry you.
They’re taking over you now. The Big, Ugly Feelings. You don’t know why they come, but when they do, they hit hard. All you can do is go dark. Shut down.
“All right,” your daddy says. “Let’s get you that capybara.”
You open your eyes. The tokens in his hand shine like Katherine Miller’s teeth.
You shake your head, your throat tight.
“I don’t want it,” you say.
Your daddy frowns. “What do you mean?”
“I don’t want it,” you say again. “I don’t want some stupid toy.”
Your eyes dart to the plushes. They stare back at you sadly.
It might be the guilt, or the noise, or the stress, but whatever it is, it makes you start to cry.
Your mommy and daddy exchange a look.
“Honey,” your daddy says. “What’s wrong? What happened?”
“I want to go home,” you tell him, and this, at least, is true. The music’s too loud. The lights are too bright. You’re going to be poor soon. Capybaras can’t fix that.
Your mommy looks up. Behind the panes of glass, the claw hangs limp, a wilted flower. “We didn’t get you your capybara yet.”
“I don’t care,” you say, even though you really do. “Take me home. Take me home. I just want to go home.”
They ask you, three times over, if this is what you want.
“Take me home,” you say again. How long will you have a house?
You look to the capybaras, as if you expect an answer.
They avert their gazes. They don’t want to break your heart.
“What’s wrong?” your mommy asks. “Can you just tell us what’s wrong?”
You shake your head. The Feelings. They’re too much for you again.
“Okay,” your daddy says. “We can talk this out at home.”
Your parents both reach for you, moving in perfect sync.
Yet for a moment, you’re certain they won’t be able to find you. Not when you’re lost in a sea of Big Emotions.
They pluck you out like it’s easy. Like they can’t lose sight of you. They raise you up and hold you in their safe, warm arms.
“I’m sorry,” your daddy says. “I wish I had gotten you that toy.”
You shake your head. Close your eyes. Rest your cheek against his neck.
You did not get a plush, but you won anyhow.
You’ve got this
/in HerePoetry by Kyla Houbolt
/in HereI have no excuse for this life
My train is here but
my heart is late.
My heart is here, all packed
and ready but the train
is late.
On the train we wonder
will it break down?
Will there be a collision
on the tracks?
These things happen,
it is often said,
to make us
feel better
about disaster.