In conversation with – Kathryn Reese
Was there an incident or story behind either of these poems?
Post-vespers was written after a conversation with a friend of mine. He was observing that some of us who’ve come out of formal faith communities have a residual compulsion to pray…the question of “what is prayer now” resonated with me deeply.
Describe your writing process. Are you a planner or a pantser, do you prefer to write in quiet or amid noise, do you write most effectively when you are working through a pain or sorrow or when calm and happy? Do you start with wisps or fragments or have a general sense of whole structure before going in?
The poem Prompt is a good description of my process. I’ll have an idea or prompt or fragment of a poem simmering away all day & I’ll check on it as many times as I can. Sometimes I’m waiting for the next line to “drop in”, sometimes I’m fidgeting obsessively. But there’s a sense that the poem is a thing/being waiting to be discovered or interacted with, rather than “written”.
It probably comes from both places but do you believe you write more from the head or heart?
It’s a weaving together. The secret third thing for me is the body. For me writing is a very somatic experience. I mostly write while walking and often have a sense of where and how the poem is affecting my body, whether it’s calming me or exciting me or where there might be resistance to saying a thing.
Is there a type of writing you’d like to do more of? Is there a kind of writing you’d like to see more of?
Collaborative writing. Whether that’s writing groups or sharing prompts online or two or more writers contributing to the same piece. I love the ways ideas spark and move when shared between us. I love the way writing in a safe community can give us the courage to write things we otherwise might not write. And I love the friendships that develop between writers. There’s often a special sort of intimacy, I think, like when you’ve shared the same water bottle.
Kathryn Reese writes poetry & flash. She lives on Peramangk land in Adelaide, South Australia. She works in medical microbiology and enjoys solo road trips, hiking and chasing frogs to record their calls for science. Her poems can be found in The Engine Idling, Epistemic Literary, Kelp Journal and Australian Poetry Journal. She was a winner of the Red Room Poetry’s #30in30 competition & the Heroines Women’s Writing Prize 2024.